In The Classic Point of View. I endeavored to give a clear and definitive statement of the principles on which all my criticism of art is based. The papers here gathered together whether earlier or later than that volume, may be considered as the more detailed application of those principles to particular artists, to whole schools and epochs, even, in one case, to the entire history of the arts. The essay on Raphael, for instance, is little else than an illustration of the chapter on Design that on Millet illustrates the three chapters on The Subject in Art, on Design, and on Drawing; while Two Ways of Painting contrasts, in specific instances, the classic with the modern point of view.