A breathtaking reminder of Bernstein’s expressive powers

Here’s arguably the best of Bernstein’s live performances of Beethoven’s Ninth, with the Vienna Philharmonic in top form in the resonant acoustic of the Vienna Musikverein. This is, however, a more refined, polished performance than most. The final movement is a majestic display of unfettered joy, Bernstein summoning blistering singing from a superlative quartet of soloists, including soprano Gwyneth Jones and tenor René Kollo, alongside a chorus that brings Schiller’s triumphant message of hope to electrifying life. The beautifully paced Adagio is a breathtaking reminder of Bernstein’s expressive powers and instinct for dramatic arc.